The Tricky Business of Image Making / Part 1
Yet another beautiful short story, published in my favourite online magazine 'Logos'.The Tricky Business of Image MakingbyMatthew J. Perini
Tomorrow is another interview. Phoenix Office Systems.
Successful applicants will have blahblahblahblah,
whatever successful applicants will have.
“You’ll be fine, honey,” my mother says. Technically, she is
outside my bedroom but her head peeks in.
“You’re bright and energetic. Trust me, they’ll be banging
down the door for you.
Ah, if only my mother were the one to conduct the interview.
Or better yet, my sister Shirley, who is the one person in the
world who actually looks up to me. Then it would just be, “Of
course you can have the job, Jakey, as long as you tell me a
story.” Then this waste of time in brushing up on the
corporate profile and the hard, perpetual lump in my
throat—the lump that makes me wish I could swallow my
tongue and rub it into submission with the warm tip—then
both—the self-sycophantic corporate literature (or at least
my having to read it) and this awful lump would vanish and
reappear on someone else’s bed, in someone else’s throat. My mother and I exchange good-nights, leaving me to read
the words in the little black box for only the second time:
Account ExecutivesGreat opportunity with dynamic and
growing company.Already, I feel in-corp-o-rat-ed: anxious and bored at the
same time. Receiving, down in Accounts Receivable, an
enema with that inscrutable stream of numbers that flows
along the bottom of the cable news channels and not feeling
a damn thing. I hear myself saying things like I really love tobecause someone in the office who makes $175,000 a year
said it, and I thought it sounded cool. But always anxious.
Always the lump.
All right, enough. I imagine the interview:
“I’ve read your resume, Mr. Brentano. If we give you this job,
this career opportunity, what we’ll basically be doing is
giving you a shovel and a mule. We’ll say, ‘There’s California.
Now go and find the gold.’ This job is about finding the gold.
So tell me, Jacob, why should we hire you?” The lurch
forward. “Sell yourself.”
I’m afraid of what I’ve conjured: an interviewer who wants to
eliminate the comfort of form, who wants to see if I’m enough
of a rugged individualist to chart my own course out of this
interview and into the big leagues (I’ll bet he says that), who
will take great pleasure in watching the little, wet-behindthe-
ears college kid tie himself up in a tangle of confusion
and catchwords as I remember at every fifth word or so what
I think he wants to hear. Um I know what hard work is allClosing the Deal shines down on us like a religious icon from
a steel gray bookcase.
I want to shout, “Do we need to be so obvious about what’s
really going on here?” Timeshares in Italy sell themselves.
Hondas sell themselves. Um, I get good mileage, I’m relatively